Ship Of Theseus: Moving Swiftly In The Ocean Of Perspectives (Movie Review)
I curiously awaited the screening of the movie “Ship of Theseus“, which had managed to elicit great remarks from leading directors of Indian cinema landscape. The film festival in Allahabad, organised by Dainik Jagran, provided me an opportunity to watch this movie. In eyes of Shekhar Kapoor, the movie marked the arrival of “a brilliant new filmmaker” while Shyam Benegal could not resist himself from stating that it’s a “rare film that engages your mind, emotions and senses in equal measure providing the viewer a cinematic experience that is both hugely entertaining and stimulating”. The movie was inspired from the dilemma whether or not the object remains same if its components undergo total replacement. In this movie the promising young director, Anand Gandhi, has interconnected three different short stories, each dealing with a different issue, but underlying theme remains the same. The first one dealt with visually impaired photographer, who lost her intuitive ability to capture striking images after a successful cornea transplant operation. The second story depicted an ailing monk, questioning life and death via his ongoing fight for rights of animals meant for conducting experiments during preparation of medicines. The third and the final story highlighted corrupt practices prevalent in medical world, wherein a stockbroker tries to place in dock persons involved in organ trade racket.
I am not the sort of person to go entirely by the rave reviews by big names from the world of cinema. In fact, even the sentiments of well-known directors fail to impress me. “Seeing is believing” has always been the principle which defined my approach, especially while anticipating the worth of a movie. And thus, contrary to the general consensus, I found the acting of Aida El-Kashef ( Aliya in movie as visually impaired photographer) and Farza Khan (Aliya’s live-in-boyfriend in the movie) absolutely horrible. The exhibition of emotions was synthetic and loud. Great movies do not begin that way. The agony that should have hit her, in the aftermath of loss of her intuitive abilities, never got reflected in her mannerism. The saving grace came in the form of crispy thought provoking dialogues: “Does reality exist when no one is looking?” It’s the deep concerns which the characters portray compensates the poor acting.
The movie gained substance with the arrival of crazy monk Maitreya (Neeraj Kabi). Not only humour element got elevated but even the thematic shortcomings got balanced due to superb acting skills demonstrated by Neeraj Kabi and Vinay Shukla ( Carvaka in the movie). This part of the movie successfully conveyed that contradictions rules the lives and a perfect life is healthy assimilation of contradictions. A person should not be too rigid while pursuing noble cause since it comes in the way of fulfillment of goals. It might also limit one’s ability to make better choices. The rigidity displayed by Maitreya is in the eyes of Carvaka- the lawyer who believed in learning arguments of both the sides- was not very different than fundamentalism exhibited by a suicide bomber! This lawyer, follower of Pastafarianism, induces great deal of pragmatism when he tries to create a fitting place for the contradictions. Anyway, Maitreya does impress us all when he places reasons above crude sentimentality!
Well, it’s crude sentimentality which always makes its presence felt in Indian movies. It’s not always the case that movies devoid of melodramatic elements manage to evoke mass attention. The average Indian cinema lover’s connection with melodrama is so intense that a director’s take on critical issue without this element is akin to self-goal in football! Anand Gandhi, at least, need to be credited for the fact that he manages to tell the story for Indians without being in awe of sentimentality! The last scene of the story showing the monk’s decision to live the life fully proves one thing quite well that healthy compromises for an elevated cause is not a bad thing. Well, the monk didn’t talk of Krishna’s Bhagvad Geeta but I feel the realization of monk is on par with view of Lord Krishna who in Bhagvad Gita stated that “every profession is world is tainted by some flaw”. So the summum bonum is: Healthy compromise should not prick the conscience!
The stockbroker’s case in the movie is pretty interesting but I need to differ from the reviews which have appeared in mainstream media and elsewhere that humour element in this part delight us. That’s not true. The humour appears as some sort of forced entry into a well structured plot. It also baffles me that reviewers have ignored some greater aspects related with this part of the movie wherein an young stockbroker trails the missing recipient of the stolen kidney! The reviewers failed to remember the heated conversation between stockbroker and his maternal grandmother, who happens to be progressive thinker, confined to ideological orientations spread in progressive literature churned out by the leftist. The impression she generates, and which irritates this guy working for American companies, is that one can pursue a noble cause only when one is in tune with such literature. The young stockbroker hits hard at her this “fallacious notion” when he tries to ensure justice for the poor labourer. The another myth which gets shattered ( and I really found it pretty interesting) is that fight for greater cause leads to its perfect attainment. Ask a real life hero and you would realize that he/she often feels cheated. The people for whom he/she comes to fight often leave their saviour in the lurch. The stockbroker wanted justice in real terms for this unfortunate labourer whose kidney got stolen for a rich foreigner ( the recipient). The labourer retracts from his promises after his petty interests get fulfilled. The protagonist has to remain contend with limited achievement.
In real life also we find that similar dilemma occurs. For instance, the moment one tries to make the purpose of education an extension of values, one has to face stiff resistance for all quarters of society, which feels that only purpose of education is to earn huge money, no matter if it means adoption of unethical means. The film does not end with a specific message but it does symbolically shows via the passage through the cave that life is full of immense possibilities, which allows nurturing of different perspectives. Hope we come to choose the one which best serves the cause of not only humanity but also our own personal causes close to heart!